MUSIC: Built To Spill Returns To The Met

Rob Duguay, GoLocalProv Music Critic

MUSIC: Built To Spill Returns To The Met

Built To Spill's Doug Martsch (Photo: Thomas Alan Photography)
There are your normal alternative rock bands, and then there's Built To Spill. One of the best live acts you could ever see who have been kicking musical a** for over 20 years, they returned to The Met after rocking the joint nearly a year ago. The Warm Hair and Slam Dunk opened things up on stage, you knew it was going to be loud and all sorts of crazy. There was no better way to spend the middle of your week then at The Met this past Wednesday.

Heavy, sludgy and very groovy, The Warm Hair started things off with a bluesy sound that I liked. One thing did irk me though, the guitarist didn't have the best voice. Maybe it's because I was left wishing he would hit higher notes or maybe he just didn't try hard enough, but I just didn't get it. The drums and bass held everything together though, very tight and well syncopated rhythms that provided the back bone during their performance. They could be better off just doing instrumentals or having a howling mad man of a lead singer, I just couldn't feel the energy The Warm Hair was trying to get across.

Garage rockers Slam Dunk lived up to their name with an emphatic, ear-rattling experience. Surfy riffs and lightning fast drums were a huge part of their sound, along with both guitarists on vocals created a growling fuzzy tone. At one point they sang in slow motion and then they switched their mics around to sing away from the crowd. This quartet astounded me with sheer fire and intensity and I became a huge fan right from the first song. Slam Dunk currently have a few records out and from what I saw a bunch of cassette tapes, everyone should check them out because they are that damn cool.

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They tuned up their instruments and the crowd roared and Built To Spill kicked it off with "Stop The Show" for a hell of beginning for what was to be a raucous set. The angst of "Revolution", the sheer emotion of "You Were Right", the groovy pop of "Fly Around My Pretty Little Miss" and the spectacular finale of "Carry The Zero" highlighted a spectacular display of rhythms that hit your soul like a ton of bricks. The crowd then started chanting Built To Spill's name and they came out to another roaring applause for an unpredictable encore of covers. First was Blue Oyster Cult's "Fear The Reaper" that had members of Slam Dunk & The Warm Hair playing cowbell and throwing bread at people. Second was a catchy number in The Clash's "Train In Vain" that even had a few members of the audience in a dance craze followed up with a spot on rendition of The Smith's "How Soon Is Now" to conclude a memorable evening. Built To Spill rules, there's no doubt about it. If you haven't gotten the chance to give them a listen, me and everyone who was at The Met on Wednesday highly suggests you do.

Speaking of The Met, why don't you go there sometime? Check out themetri.com and see what's happening next at this fine venue right over the border from Providence. 


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