Architectural Critic Will Morgan: The New Un-Improved Tower

William Morgan, GoLocalProv Architectural Critic

Architectural Critic Will Morgan: The New Un-Improved Tower

Fane Tower
If the new, improved Hope Point Tower is the answer, what is the question?

Still, developer Jason Fane and his crew deserve some kudos for sowing confusion with their bait-and-switch, so-called “Organic” design.

It is essentially the same building as the earlier controversial one.

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But, instead of brick, its 46 stories are wrapped in what looks like marshmallow or the Michelin Man’s rubber body suit.

Don’t be fooled: this is the pretty much the same tower as that absurd brick and glass one.

Brick was hopeful, if pointless, a nod to Providence’s old buildings.

The new scheme suggests that the architects are tired of trying to do something contextual.

Jason Fane may claim that this new design is “Iconic,” but what does he mean?

His puffy tower will be a city icon like, say, the Eiffel Tower, Philadelphia City Hall, the Houses of Parliament, the Empire State Building, the United States Capital, the St. Louis Arch? Not likely.

The wannabe-sensuous, giant tacky sculpture is big and scale-less.

It has about as much to do with the spirit of Providence as a Kansas tornado–which its twisted form suggests.

Also laughable is Fane’s contention that the white rope to heaven was inspired by the river.

Our leaders may not be as visually literate as we would like, but how gullible does Fane think we are?

Dundas Square Gardens, Toronto, IBI Group
A search for similar works by the architect, Gianni Ria of IBI Group, reveals a number of buildings that share the same basic characteristics of height, lack of context, and uninspired styling.

While IBI’s bailiwick is mostly Toronto, one can find the same kind of real-estate-rather-than-excellent-architecture lookalikes in such non-New England places as Dubai, Sao Paolo, Shanghai, and Taipei.

88 North, Toronto, IBI Group
While I question tall buildings in general–for economic, environmental, and urbanistic reasons–I might be swayed that the I-195 parcel demands some sort of grand statement.

But the Gianni Ria design is not that. Just like its predecessor proposals, there is nothing elegant or beautiful about this graceless eyesore.

The Fane tower is not, alas, architecture. It does not lift the spirit or ennoble.

It is nothing but schlocky real estate.

Suitable for Miami Beach, but totally inappropriate for the Rhode Island capital.

Simply put, the Fane-IBI team should not be entrusted with realizing the most important piece of Providence’s 21st-century skyline.

A truly iconic skyscraper, Eero Saarinen’s CBS Building, New York City. 38 stories, built in 1965 and still one of the handsomest tall buildings anywhere. Photo: ©Marshall Gerometta/CTBUH
If we cannot figure a way to repurpose the Superman Building, you were expecting me to argue, we are not ready to tackle a monster like the Fane Tower.

Although that may be true, rather, I would argue that Providence–home of 25,000 college students and a preeminent design school should wean itself away from the development-trumps-art mentality.

Then let us begin our next project, tower or not, with attention to serious, responsible, and aspirational design.

We obviously have the know-how to finance and construct new buildings, even tall ones.

But why not elegant, notable ones that speak to our noblest aspirations and to Providence’s soul?

 

 

Providence architectural writer William Morgan has taught about cities and their history at Princeton, the University of Louisville, and Roger Williams University. He is the author of Louisville: Architecture and theUrban Environment. 

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