New RISD Student Center a Design Disappointment in Providence: Architectural Critic Will Morgan

William Morgan, GoLocalProv Architectural Critic

New RISD Student Center a Design Disappointment in Providence: Architectural Critic Will Morgan

Rear of RISD Student Center on Steeple Street (All photos by William Morgan)

A new student center at the Rhode Island School of Design ought to be a major event.

But, except for a curving facade of perforated metal bursting out the back of 20 Washington Street, there is little to alert Providence to RISD's latest building project.

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Mailroom receiving. Despite the projecting arch, this is not an entrance.

The student center is the work of WORK Architecture Company, an avant-garde firm based in New York City.

WORKac proclaims that the student center reflects the "need for universities to be more student-focused." They also say that their building improves the quality of student life. RISD touts the 20,500-square-feet addition for its "flexibility," which often codes for ineffective.

A lecture hall is behind the Steeple Street window.
Nevertheless, the one-story makeover includes offices for student advising and career services, a lecture hall, "gathering spaces," a gallery, and a mailroom.

WORKac principals Dan Wood and Amale Andraos inserted their student center into the former Providence Washington Insurance Company, a handsome, four-story, U-shaped, Georgian-style block built-in 1949.

They ingeniously used the void within the arms of the building to create the only external manifestation of their work.

Or, as one professor noted, "a bit of spaceship modern dumped into the parking lot."

This curving metal-screen on Steeple Street is distinctive, but it makes no attempt to acknowledge the brick mass behind it. 

The architects disingenuously claim that their giant metal eyebrow recalls "the arches of the historic buildings of Providence."

This is the business end of the building.

Trucks bring mail to the postal facility here and unload on the busy street.

The mailroom is an acknowledgment of the role that online retail plays in student lives these days.

Attached to the mailroom is a student area called the "unpacking space," a nod to the notion that receiving packages from Amazon is a "social institution."

The no-nonsense mailroom avoids the orange accents and the Euro Trash ambience of the rest of the student center.

The former office building that houses the student center is handsome and dignified. The orange paint behind the neoclassical fanlight is the only hint of what is to be found inside.
The main entrance is on Washington Street.

Yet there is no real indication that this is the student center.

The building is not open to the public. (I was escorted from the building by a staff member, saying I could be a thief or a pervert.)

So members of the RISD community enter a truncated hallway, running perpendicular to Washington Street.

What one immediately notices are the orange color accents.

Why orange?  Home Depot? A phone store in a mall? A retro 1970s vibe?

The main entrance presents visitors with an awkward processional shift. Does anyone sit on these carpeted steps?

The main entrance presents visitors with an awkward processional shift. Does anyone sit on these carpeted steps?

Any architectural historian would recognize the curved and white walls as references to Finnish master Alvar Aalto.

But actually, it was Erik Bryggman's 1940 funeral chapel in Turku, Finland that arguably supplied the inspiration for the half arch supported by short columns.

Beyond the puzzling entrance is the large open lobby space.

Low ceilings, long vistas, and hard surfaces make this space about as welcoming as an airport concourse.

WORKac defined this as "a floating wall with openings to various facilities," which "wraps in on itself to create a protected space."

Curtains can divide the space, but they do not block out the hard-surfaces-enhanced noise, making the lobby less than ideal for meetings or crits.

This public space is less than uplifting. Flexible, as in open, and mostly used by Admissions, the space is characterless.

Some students described the student center as "garish" and "inappropriate."        

RISD has, nonetheless, gained a centralized place for mail and various services.

Giant orange ceiling saucers offer a surreal touch.

But the biggest draw of the student center is the unisex lavatory.

The single bathroom was designed "to create safe communal space inclusive of all gender expressions."

This was created with the involvement of the Queer Students of Architecture Planning and Preservation at Columbia University (where Andraos is the dean)

The bathroom consists of six private water closets.

Each is a "different color and shape celebrating the bathroom's symbolic refusal to force users into fixed gender boxes."

In the center, sinks of different configurations shape the "communal washing experience."

Equally embarrassing is the overall impression of cheapness and shoddy construction.

There are superfluous details that will be difficult to maintain.

RISD has a design committee that can request qualifications from as many as a dozen architects.

Yet, WORKac was a disastrous choice for this costly conceit.

The firm's self-affirming architect speak should have thrown up red flags.

"Wood and Andraos hold unshakable lightness and polemical optimism as a means to move beyond the projected and towards the possible."

What does that even mean?

Why was RISD snowed by such nonsense? The explanation, sad to say, maybe that RISD could be less interested in creating good architecture than they are about polishing their image as a trendy, with-it place.

 

 

Will Morgan
GoLocal architecture critic William Morgan studied architecture at Columbia University. He was a visiting lecturer on American architecture, cities, and design at the Swedish-language university in Turku, Finland.

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